For a post from Glen Huntley who has written about the Martineau home in Toxteth Park, please click here
Martineau Society Annual Meeting 2017
24th – 27th July 2016
The Mercure Royal Hotel, Hull.
Monday 24th July
From 14.00 Arrival and Registration
17.00 – 18.00 Committee Meeting
18.30 Dinner and Lecture. Dr Nick Evans, University of Hull. ‘Female Agency and the fight against the Slave Trade – the case of Hull.’
Tuesday 25th July
9.30 – 10.15 Iain Crawford: Transatlantic Exchanges: Harriet Martineau and The Southern Rose
10.15 – 11.00 John Warren: Harriet Martineau reasonably close to Hull: the medium and the message of her children’s story The Settlers at Home (1841)
11.00 – 11.30 Coffee break
11.30 – 12.15 Stuart Hobday: Charlotte Brontë and Harriet Martineau
12.15 –1.00pm John Vint: Demerara: Harriet Martineau and the Political Economy of Slavery
1400 Afternoon Trail – Hull’s Old Town and Museum Quarter
18.30 Dinner and Quiz
Wednesday 26th July
9.30 – 10.15 Carol Chilton: The Early Education of Harriet Martineau and Florence Nightingale
10.15 – 11.00 Keiko Funaki: Harriet Martineau’s feminist economics in Female Industry.
11.00 – 11.30 Coffee break
11.30 Martineau Society AGM – for Agenda click here
14.00 Afternoon Trail – train to Beverley to see the Minster, and Wednesday Market
18.30 Dinner and Auction
Thursday 27th July
10.00 – 10.45 Elisabeth Sanders Arbuckle: Harriet Martineau and her Nephews
10.45 – 11.30 Sue Brown: Julia Wedgwood and Harriet Martineau; a study in disillusionment.
12.00 Conference close and buffet lunch.
The Harriet Martineau Lecture is held in Norwich annually, celebrating the legacy of this remarkable, world-changing woman by inviting globally-renowned radical writers to respond to her life and work.
This year’s Harriet Martineau Lecture will be given two of Mexico’s finest journalists, Lydia Cacho and Anabel Hernández, who will describe their international campaign to lay bare the shocking corruption and violence of the government. Their work has resulted in the persecution of their families, attacks on their homes and a persistent threat to their lives; in fact, almost one hundred Mexican journalists have been murdered for trying to speak the same truth to power.
Cacho and Hernández’s determination to change the world’s view of Mexico and heal the country’s many sorrows draws strong parallels with Harriet Martineau, who wrote openly against discrimination, slavery and corruption in Britain and the US.
Click here for details
This is a Cadbury Research Library event for International Women’s Day. Our very own Stuart Hobday will look at the personal side of Martineau’s life and her influence on other Victorian luminaries such as Charles Darwin and George Eliot, drawing on his new book ‘Encounters with Harriet Martineau’ (Unbound, 2016)
Please click here for information about the seminar .
The script of Shelagh Stephenson’s play Harriet Martineau Dreams of Dancing can now be purchased online for £9.89. For details please click here
This year we shall be going to Hull, a place which doesn’t have any direct Martineau connections, but which does have a fascinating eighteenth and nineteenth-century history, and important links with the history of slavery through one of its most famous sons, William Wilberforce. As you know, abolition of slavery was a major interest of Harriet Martineau. You may also have noticed that Hull is the UK City of Culture for 2017; so it’s an ideal year for you to see the city at its liveliest.
The conference will, as usual, be a mixture of papers, trails and social events. It will also be a good opportunity to learn about other people who visited the area or lived here for a while. These include Lewis Carroll (who may have been inspired by the ‘Messenger Rabbit’ figure in St Mary’s Church), Charles Dickens (who gave readings in the main theatre), Queen Victoria (who stayed in our conference hotel in 1854 and whose statue is in Victoria Square), Mary Wollstonecraft who grew up in Beverley, and sensation novelist Mary Elizabeth Braddon who performed on stage in both Hull and Beverley.
For further details and a registration form for the 2017 conference click here
If you want a quick overview of Harriet Martineau’s life and achievements, this website might do the trick, and you can vote for her to be counted as one of the nation’s heroes – http://historysheroes.e2bn.org/hero/4286
Harriet Martineau Dreams of Dancing: Newcastle’s Live Theatre (12 November 2016)
A few of us from the Martineau Society went to the opening – indeed ‘world premiere’, this weekend, of a tremendous production entitled Harriet Martineau Dreams of Dancing at Live Theatre, Newcastle (just near the Millennium Bridge). Written by Shelagh Stephenson who comes from the North East although she’s now based in London, it is set in Harriet Martineau’s rooms in Tynemouth in 1844, where she is recovering from a long-term illness.
It is either a serious play with some comic interventions or a comedy with serious intentions, but whichever way around, it’s brilliant – funny, informative, well-acted, and with a definite feel-good element. It portrays Harriet as I would recognise her – with all her passion and certainty – yet also with a satirical and comic edge. I’ve always felt that she must have been more sympathetic and humorous than many of her critics and some of her ‘friends’ have portrayed her, and this certainly seems to be the viewpoint of the playwright.
I do suggest that anyone who is able to, goes to see the Newcastle production. It’s only on this month (November 2016) and for a couple of days in early December.
For further details of the play and how to book, please go to: http://www.live.org.uk/whats-on-book/harriet-martineau-dreams-of-dancing.
We travelled 400 miles to the performance. We didn’t know what to expect. There are few, if any, plays that feature the ideas of Harriet Martineau. The house was full for the opening performance ; and included members of the Society, the Martineau family and, not least, the owner of the Martineau Guest House in Tynemouth. We were not disappointed. ‘Harriet Martineau’s Dreams of Dancing’ was a resounding success. It focuses on a period of time when, in Tynemouth, Harriet took to her bed and adopted a housebound life style – an opportunity that the author, Shelagh Stevenson, exploits to the full. The result is a witty and sharp narrative building on the comedic and satirical possibilities of the 1840s – a time when political reform, phrenology, mesmerism and slavery figured in the circulation of ideas. Our journey was not wasted – a view generally expressed by the members of the audience who stayed on to discuss the play with the author. In short, another Martineau highlight in 2016.
I must say I never thought the day would come when someone would write a play about Harriet Martineau, or that when they did it would be about her friendship with a widowed artist whose husband was killed when a pig fell on him from an upstairs window. This summary makes Shelagh Stephenson’s play Harriet Martineau Dreams of Dancing sound more farcical than it was. In reality it reminded me of Oscar Wilde’s dialogues, or of Tom Stoppard’s in Arcadia, which also plays games with historical characters. In spite of the pig, Harriet Martineau was still recognizably there, in her Tynemouth sickroom, with the chaise-langue, and the telescope pointing towards the ruined abbey. Her brother-in-law, Thomas Greenhow, kept stepping in to feel her pulse, and her maid, Jane Arrowsmith, aspired to do something more with her life than bring the tea in and out. As for Martineau herself, played by Lizzy McInnerny, she retained her dignity and strong-mindedness, as she rejected her doctor’s attempts to make her walk and go outside. She introduces herself as a writer , who writes to ‘change the world,’ and referencing her abolitionist stance, works with Impie (the widowed artist) to liberate the mixed-race character, Beulah Grey from her disciplinarian protector. The play was full of surprises, ranging from Beulah’s extraordinary transformation from a silent bystander dressed like a wedding cake, to a boyish escapee in jumper and trousers. Harriet, however, remained constant: determined to be ill and strong-minded, only wavering towards the end in favour of trying mesmerism…and we know what happened after that.
After the performance we enjoyed a question and answer session with the author, who was, I think, fairly dumbfounded to find so many members of the Martineau Society present (a hint of ‘Is there one?’ Whatever next? from the audience’s response to Gaby’s mention to the Society). We were delighted to find some Martineau family members there, including James and Meg, whom we met at the summer conference. James graciously thanked Shelagh Stephenson for her play, triggering another visible sigh of relief that she hadn’t offended the family.
By a strange coincidence I was at another Martineau performance the evening before by the leading piano accompanist Malcolm Martineau in concert with the soprano Sarah Fox at Hull University’s newly-refurbished Middleton Hall. Accompanists are usually overshadowed by the soloist, but Malcolm unexpectedly chipped in with lines from the final piece, Cole Porter’s ‘Brush Up Your Shakespeare,’ which certainly endeared him to the audience. Altogether this was a weekend of Martineau performances full of humour and vitality – in each case presented to an enthusiastic public keen to know more.
My introduction to the Martineau Society was at the 2011 conference when it was held in Tynemouth. We booked into the Harriet Martineau Guest House there for the duration of the conference and were delighted to be given a room occupied by Harriet during her extended convalescence in the town. It was very comfortable and we were allowed to show it off to the other conference-goers – four at a time up the narrow staircase!
How delightful then to discover that ‘Harriet Martineau Dreams of Dancing’ is set in that same guest house room, towards the end of the five years she spent in Tynemouth. The storyline is entertaining and allows the views expressed in her writing and campaigning on slavery and women to feature in the exchanges between Lizzie McInnerny, playing Harriet, and the five others in the cast. Also featured is a soundtrack to the play by local folk band The Unthanks. Their music is subtly in the background throughout and very much in the foreground for some nicely choreographed dream dance sequences in which all the cast members take part. Altogether entertaining!
Please make sure to Listen! We are delighted to announce that a Martineau Society member, (prof) Valerie Sanders will be appearing on Melvyn Braggs’ Radio 4 programme In Our Time on 8th December 2016 to take part in a discussion about Harriet Martineau.